I know everyone has times when a song gets in your head and you can’t get rid of it. Sometimes it’s a good song and you seek out the original. Other times it’s something so horrible you want to pull your eyes out. A few years ago, I spent an all day bike ride with R. Kelly’s “Ignition” going through my head:
Now gimme that toot toot / And I’ll give you that beep beep... Sippin’ on coke and rum / I’m like so what I’m drunk / It’s the freakin’ weekend baby / I’m about to have me some fun.”
Ninety miles of that. I couldn’t shake it.

Anyway, my point, and I do have one, is that John Mellencamp’s “Small Town” has been in my head a lot lately. I think I can attribute this to a couple of reasons. Like the song says, I was born in a small town. I moved away, for good, about 10 years ago. I went from a town with a population of about 30,000, to Houston, Tex., where there are just over 2 million people. From there, I came to Miami a couple of years ago, where the population is roughly 400,000 people.

I don’t miss the small town, with its gossip and drama and its being way off the traveled path of, well, everything. I do miss the small town friendliness, though. A lot of Houston wasn’t bad, despite its size. Most people there were somewhat friendly and helpful. The first thing I noticed in Miami – and still haven’t gotten used to – is how utterly
unhelpful most of the people are.
Last year some time, I went back home to see some family and friends and had occasion to go to a local credit union where I still maintain an account. I have to admit I was really taken aback when someone greeted me at the door, asked how they could help me, and actually
did help me.
Don’t get me wrong. I would never move back. There are a lot of advantages to living in a large city. I just a lot of times miss that small town attitude.

So that’s why this John Mellencamp song, from his 1985 album
Scarecrow, has been in my head lately. I’ve been thinking a lot about that small town attitude and what it is that makes strangers in some area friendlier than those in other areas.
While I ponder that, I’m going to post not only “Small Town,” but the title track, “Rain on the Scarecrow,” as well. The reason I picked this second song is that I love when, at about the two-minute mark, Larry Crane’s guitar explodes into feedback just before he goes into the solo. Every now and then I’ll hear a couple bars from a song that strike me just right and I’ll dig that song forever. But that’s another post.
Small Town.mp3 Rain on the Scarecrow.mp3
and how can you resist the fantastic drumming of Mr. Kenny Aronoff?
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